Monday 24 December 2018

Love At First Sight: A Tall Yarn


(Every line in this story is made up of idioms. Enjoy!)

A doubting Thomas was at the crossroads,
Wondering how to pop the question.
Should he run with it, or will the winds change?

He had miles to go before he could sleep,
Rat-races to run, ladders to climb.
Palms to grease, noses to brown,
Balls to hit out of the park.

So he didn’t want to jump the gun,
This was a bell that couldn’t be unrung.
Stuck between a rock and a hard place,
He killed time, waiting for the penny to drop.

But time and tide wait for no man,
So no longer did he sit on the fence,
He jumped from the frying pan into the fire.

“I can be your knight in shining armour,”
“I can be your friend in need indeed,”
“I can take you to seventh heaven,”
“Or cloud nine if that’s your cup of tea.”

The woman’s breath was taken away,
This twist of fate left her all at sea.
All hands to the pump, she steadied her ship.
“Oh, I’m but a black sheep and an ugly duckling.”
“But beauty lies in the eye of the beholder.”

“They say love makes you blind”
“By pulling the wool over your eyes.”
“So, before I fall, head over heels,”
“Let’s get down to brass tacks.”

“Can you do more than make ends meet?”
“Can you keep the wolves from the door?”
“You fit the bill, if you foot the bill.”
“Will you stick with me through thick or thin?”
“Hang on, come hell or high water?”

This googly gave him food for thought.
“I’ve burnt the candle at both ends”
“To keep my head above water.”
“But then I hit pay dirt and rode the gravy train,”
“Until I could laugh all the way to the bank.”

“However, no man is an island.”
“All work and no play made Jack a dull boy.”
“So I began to keep my eyes peeled,”
“Saw the apple of my eye, and fell in love.”

Still she was at sixes and sevens,
So he threw caution to the winds.
He would pull no punches,
Let the chips fall as they may.

“I am the best thing since sliced bread.”
“Because castles in the air and moonshots,”
“Pies in the sky and pipe dreams,”
“Will not just be figments of imagination,”
“But take shape and see the light of day.”

“So will you be my better half?”

Greenhorn she wasn’t, dollars to doughnuts;
She knew which side her bread was buttered.
“I promise to be your other half”

“Let us cut the cord, and tie the knot.”
“Learn the ropes on the fly.”
“As one, we jump into the deep end,”
“And swim with the sharks.”

“When familiarity begins to breed contempt,”
“We won’t break up, but kiss and make up.”
“When we go through a rough patch,”
“We’ll pause for breath, and take stock,”
“Count our blessings, and carry on.”
“For life’s a marathon, not a sprint.”

“But let’s not count our chickens before they hatch.”
“For now, we make hay while the sun shines.”
“Let me strike while my iron is hot.”
“I have eyes and hots only for you.”

So they sealed with a kiss, a life joined at the hip,
Until one or the other runs out of steam,
And is dead as a dodo, or a doornail if you prefer;
They will love each other to bits, and to death,
Which is the only thing that does them apart.

Monday 17 December 2018

Food: A Love Story


(As always blogspot doesn't like large images much, so if you're on the desktop and can't read the text, right click -> open image in new tab and then magnify. On mobile, just tap the image and pinch zoom.)

Wednesday 12 December 2018

Words To Work By

In the battleground of the average workplace, words don't always mean what they appear to. Here's a free and handy guide from a self-proclaimed master of weasel words, tailored to every occasion and mood.


I did something

I was the only person on the team that worked on something, and I WANT THIS TO BE KNOWN!

You could say this when you're feeling brave and aren't otherwise disenchanted in any way. However, the preferred occasion to use this is when a long history of a lack of recognition has built up enough inertia that you no longer care about the ramifications.

And make no bones about it: there will be ramifications, typically involving your manager overriding your self-eulogizing with 17 others indicating that no, actually the whole team did the thing, and it was a stellar team effort.


We did something

I didn't do all that much, but I just did enough to salve my conscience and not suffer sleepless nights. This of course means that I probably sent an unhelpful email or two, or perhaps gave a pep talk to the guy who did the actual work. If I'm a manager, then of course I did nothing at all.

Bring out the "we"s when you anticipate great rewards by associating yourself with the real doer. In case your foolish mind is going astray, let me clarify: rewards aren't metaphorical here. Think money, cash, dough, dosh, the green stuff, you get it.



Something was done

I did something, but I suspect the thing I did is going to catch fire (and that's in a bad way in case you are a secret arsonophile) and crash and burn really soon, so I don't want to risk putting it on record that I'm the one who caused the trainwreck.

The eagle-eyed Sophists among you might be wondering why you might not just drop the "we" bomb in this case as well and be done with it, but you're just showing your newbie colours, greenhorn! Even if you send out a mail saying that "we did it", it's still your email-address and your feet that're going to be held to the fire.

Here's a free tip for ya: make sure you don't have wax wings before you decide to fly into the glow of the sun.



I messed up

As you can imagine, it's hard even for a master dissembler like me to worm my way out of such a terse set of words; which naturally means that these deadly words are potential career suicide and must be used as an absolute last resort! Only when all else has failed - and by all else, I mean ALL ELSE - that means you've tried everything short of murder - do you admit to something like this.

Another free tip: you may have some pretensions of humility or honesty or some such grave fault, and you might be wondering if you should own up to your mistakes. Let me put it this way: unless you have a trust fund, a secret treasure chest that has enough money to support you and your family for a generation, or you have a penchant for begging on the streets, rid yourself of these flaws. Become a snake-tongued wordsmith and save your career.

An interesting factoid about this phrase: it has never, ever been heard from the lips of a manager, and it has been seriously considered by a consortium of linguists and neurologists that there is a biological reason why this might be the case. I have some ideas around initiation rituals around chopping up your tongue and rewiring your brain when someone becomes a manager.


We messed up

This phrase is easy to pin down: the speaker is saying to the listener - "You messed up, but I have a tiny reserve of goodwill towards you, so I'm softening the blow a bit."

You may often hear this from your boss, and you may be labouring under the delusion that he is trying to shield you from the effects of your mess, but WAKE UP! Think back to all the times you've heard this phrase, and soon you'll realize that it's only happened in a one-on-one chat.

In a setting where there's even a slight chance that your boss could be burnt by such a confession, he'll be sure to call you out by name as the source of the problem. He'll probably throw in your phone number, your home address, navigation alternatives to your home address in case that street gets choked with traffic, nearby pigeon delivery points and your mom's insurance number, just for good measure.



You messed up

Alright, if you hear this, it's time you had one foot out the door already.

In the mealy-mouthed world of corporate chat, a direct accusation is akin to being stabbed in the belly. Repeatedly. RUN FOR YOUR LIFE!

Now, it is certainly possible that you didn't actually mess anything up, but that's beside the point. This phrase is only used when the user of the phrase has burnt his bridges already.

If you use this phrase on the other hand, congratulations: you've made an enemy. An enemy that'll feud with you for the rest of your life, and if you were particularly harsh with your delivery, for the next three or four generations.


Things got messed up

If you're in a position where you find yourself forced to use this, I offer my sympathies. You're stuck between the proverbial Devil and the deep blue sea, the rock and the hard place, you've jumped into the frying pan et cetera.

So the typical scenario for this awkwardness involves you not being brave or foolish enough to own up ('I messed up'), not being a manager ('We messed up') and having actually been an integral contributor to the mess up. The passive voice is your only remaining friend, and awkward sentence construction apart, could possibly fool an email-skimmer or two into not quickly identifying you as the source of the dumpster fire.





Wednesday 5 December 2018

Metamorphosis

A performer who has finally realized her dream slips momentarily into regret - recalling the time lost working a despised job - but then realizes that, like with the ugly caterpillar that is broken and remade as a butterfly, it's perhaps all a necessary part of the eventual metamorphosis.


Thunder crack applause reminds
The butterfly of time and death
Stings away the painted smiles
The sleeping hours thorn the rose.

Mindless drone, that caterpillar!
It grovels, scrabbling filthy grub
Madly crawls in blind pursuit
Of greed and sloth, amalgam vile.

Stately limbs the air they slice
To portals with forgotten tongues
Perfect electric mudras speak
Unknowing joy, a gift divine.

Thrumming ducts of air freeze time
The eyes are near, the mind afar
Simple charm in loveless toil
The screen of hate becomes the seed.

Fragile moth, or Monarch, see!
The time is right, a wonder's born
Motley hues in dazzling 'bows[1]
Belie the tireless worm that dreamed.

Halogen floods into painted smiles
The sound of countless cheers
Gently laps each Varnam's shore
Away she soars on wings of light!


Notes

[1] - Rainbows

I've made quite an effort to get some kind of metre going. Most lines have a perfect sequence of iambs, but the first and third lines in each stanza start with a non-standard stressed syllable which I'm hoping adds a kind of forcefulness that sets them apart from the other lines. If you've no idea what all that means, but you find that there's a nice rhythm to the words in the poem, then something worked for me :)